Heart Strings , written by Reynold Nathaniel, is essentially a love story. Love is the prevailing emotion. Love of family, love of friends, romantic love and love of music. Set in Ireland in the summer of 1908, the majority of the cast are called upon to perform with an Irish brogue. The actors do well with the accents and there are plenty of Irish references from whiskey to stew. The costumes create a sense of the period. It is inspiring to see a cast give their all to a new piece of Canadian theatre. The play is directed by David Ludwig, a seasoned actor who has appeared at Stratford Shakespeare Festival. Heart Strings is Ludwig’s first directing job and he directs with skill and ease. The play flows smoothly, the blocking is crisp and the actors are clearly guided by a sure hand. Lead actor Garth Wigle re-located all the way from Cornwall to perform in the show. He did so out of his love for the theatre. Wigle plays Sir William, who orders the prized Phonolistz Vi
“ The truth, and the vulnerability of sharing it, is liberation. ” Robin Richardson is the author of two full-length collections of poetry, and is Editor-in-Chief at Minola Review, a Journal of Women’s Arts & Letters . Her work has been shortlisted for the Walrus Poetry Prize, CBC Poetry Award, Lemon Hound Poetry Prize, and ReLit Award and has won the John B. Santorini Award and the Joan T. Baldwin Award. Her work has appeared or is forthcoming in many journals including POETRY , Tin House , Arc , The North American Review , and Hazlitt of Random House. She holds an MFA in Poetry from Sarah Lawrence College and BA in Design from OCAD University. Richardson’s latest collection, Sit How You Want , is forthcoming with V é hicule Press. She is represented by Samantha Haywood at Transatlantic Agency, who is working with her debut memoir this year. A couple of weeks ago, Robin Richardson featured at the Art B
Ten questions to keep in mind Choosing which Magazines to Submit to There are so many journals that it can be hard to choose. Here are some key questions to ask yourself to narrow them down: 1. What literary magazines do you like that match your writing style? It’s important to get a sense of the publications you’re going to submit to. Read a recent issue. You’ll have a better idea of what pieces you have that match the editorial aesthetic of the magazine and vice versa, not to mention that it’s worthwhile to read as much as you can in your genre. 2. Are you looking for a print magazine? An online magazine? Both? These days, writers are seeing the value of online magazines, which are readily accessible to readers. However, print magazines are still coveted by many writers, especially if they’re available in bookstores and newsstands. Some publications have their issues both online and in print—a decided advantage. Where would you ideally like to see your wo